jake-wanstall-riley:

avengersonna:

Me

When you try to do the evil playthrough of an RPG.

(Source: draqua, via bubonickitten)

Timestamp: 1406820612

jake-wanstall-riley:

avengersonna:

Me

When you try to do the evil playthrough of an RPG.

(Source: draqua, via bubonickitten)

graceebooks:

CAN YOU LITERALLY BELIEVE HOW FUCKING STUPID THEY ARE

(via like-a-librarian)

Timestamp: 1406814317

graceebooks:

CAN YOU LITERALLY BELIEVE HOW FUCKING STUPID THEY ARE

(via like-a-librarian)

(Source: stephisanerd, via extracocoa)

(Source: thebelchers, via extracocoa)

mattressblowoutsale:

storeboughtisfine:

i’d like to think this the humans of new york guy’s mortal enemy and this confrontation ended in a street brawl

"what took you so long"

(via bubonickitten)

Timestamp: 1406727913

mattressblowoutsale:

storeboughtisfine:

i’d like to think this the humans of new york guy’s mortal enemy and this confrontation ended in a street brawl

"what took you so long"

(via bubonickitten)

thoughts- pure heroine is a truly singular album. i don’t want to imagine lorde writing any new music or crafting another album because she has reached a truly full formed work of music that she nor any one else i expect will be able to duplicate. any further music will be based on her rapid rise to fame and how the media portray her- except that she’s already covered all that. the anti-consumerism stance of royals is what launched her fame. everything she has said about socioeconomic class, adolescence, and friendhsip is so poignantly universal that i want to simply exist in “pure heroine” without remembering the beginning (a tumblr post by john green) nor imagining the end (tbd). these songs have tens of millions of listens on spotify, in the case of “team” and “royals”, over a hundred million. yet my inherent distaste for pop culture and things that are widely disseminated, for the first time in my life im unaffected by those numbers and the rampant consumption. it feels like the only existence that matters is the existence in relation to myself. in years to come i’ll find other albums that reflect whatever period of my life i need reflected, but after a certain point you stop needing new music and just want to listen in quiet remembrance of youth etc. lorde is still going to be younger than me but she will have grown and have new music but nothing will be able to merge is such a spectacular amalgam of lyrics, sound, and self contemplation. 

elenamorelli:

{ night and day }

(via evaibbotson)

Timestamp: 1406673584

elenamorelli:

{ night and day }

(via evaibbotson)

endthymes:

arthur kleinjan, paris looks. 1999-2001

Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.

“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.” (x)

(via dads98)

Timestamp: 1406673169

endthymes:

arthur kleinjan, paris looks. 1999-2001

Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.

“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.” (x)

(via dads98)